Concert: Nouvelle tournée de Mamie Madonna+clip Get together

kekeboy a écrit:

Tt simplement le recyclage d'une photo prise par un photographe lors de la promo de l'album, au koko club. On retouche en la foutant rousse et en mettant un doby rose et le tour est joué

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Et en enlevant bien les rides aussi ! Vive l'informatique !

Franchement, qui peut bien avoir envie de payer rien que 70€ pour aller voir cette vieille peau se trémousser sur sa musique daubée ... ?

Elle fait vraiment vieille pute sur l'affiche ... impressionnant !

Ou ça la vielle pute? Je vois pas de quoi tu parles ?

T'est jamais aller au red light district de jour toi!

avec la carrure qu'elle a on dirait mauresmo dans les guignols

Et ils ont aussi viré l'ombre du micro qui masquait les nibards

elle sait vraiment jouer de la guitare ou c'est un accessoire du costume?

non non elle sait bien enjouer depuis American life (cf Xstatic process)...

Moi je la trouve superbe Madonna...c'est normal qu'elle tente de garder un look jeune.
Pour une vielle pute défraichie...elle est franchement canon!

Les dernières photos faites par Steven Klein ne sont pas mal en tout ca
Cliquez ICI et puis sur "See more photos" pour voir les 28photos

ouais c vrai que c plutôt joli.
Je pense que certains des costumes qu'elle porte sur ces photos vont etre réuilisés pour la tournée.
Le concert se divise en effet en trois parties :
1) une partie "disco"
2) une partie équestre
3) une partie "Moyen Orient"

euh la logique dans tout ça...? cherchez po lol c'est Madonna.
La chanson "paradise (not for me)" sera normalement interpretée en duo... Ac le mec qui chante sur "Isaac"...

Et elle a commandé une énorme croix en dimamant et en cristal pour chanter Live to tell à priori.

La setlist (dans l'ordre) :
Future Lovers
Get Together
Like a Virgin
Jump
Live to Tell
Forbidden Love
Isaac
Sorry
Like It Or Not
Sorry (remix)
I Love New York
Let It Will Be
Ray of Light
Drowned World/Substitute for Love
Paradise [Not For Me]
Music
Everybody
Deeper and Deeper
Lucky Star
Hung Up

Voilà... Bcp bcp bcp de Confessions , c'est pas vraiment surprenant... je regrette juste qu'il n'y ai aucun itre d'american life...

Citation :

euh la logique dans tout ça...? cherchez po lol c'est Madonna.

Il y a tj eu une énorme logique dans ses concerts, chaque chose a une signification, tt est réfléchi.
Ca en sera de même pour cette tournée.

cinagalen a écrit:

ouais c vrai que c plutôt joli.
Je pense que certains des costumes qu'elle porte sur ces photos vont etre réuilisés pour la tournée.

Du moment que ce n'est pas ce slip/boxer en latex qu'elle porte topless

^^
J'aimerai un show aussi fin, intelligent, créatif et profond que le DWT...même si il ne reprenait au fond que le concept de ROL et Ballard mais bon...

Je crois qu'elle ne fera jamais mieux que cette tournée.

Voilà, la tournée a été lancée, la playlist est légèrement différente de celle indiquée un peu plus haut (Everybody et Deeper and Deeper ont été remplacées par un mix Erotica/you thrill me).

Et voilà, on ne se refait pas alors Madonna a encore voulu faire scandale en chantant live to tell sur un croix boule à facette mdr... J'ai écoué qques mp3 et ... mon dieu... euh... madonna en live c'est euh... très "Raw" comme disent les fans anglais lol...

Et dire que j'ai payé 70€ pr voir une mémé blonde beugler, accrochée sur une croix brillante lol

Les critiques sont excellentes et les reviews de fans suivent de même.
On est loin du RIT qui malgré de bonnes critiques presses etc laissait qd même perplexe déjà aux USA sur la construction du show et son interet.

La partie équestre est de tte beauté, et tt le monde s'accorde à dire qu'elle a réellement un grain pour les chorés, nottament celle de Like a virgin qui est excessivement dangeureuse. Un danseur s'est déjà loupé, gageons que mémé ne suive pas le mouvement.

J'ai juste téléchargé un mp3, Paradise (not for me) la version est magnifique, la voix de Madonna parfaite.

qui croire^^ ???
vous etes pas vraiment du meme avis

Bah déjà musicalement on est loin du RIT qui était insuportable. 2 chansons en play back, qq bandes de soutien, et une abscence fulgurante de musiciens...

On retrouve enfin le 100% live du DWT.

Aprés en effet, la partie bédouin de la tournée risque d'agacer. Non pas pour la croix etc mais pour les lecons de morales de mamie qui va ns rebalancer des images d'enfants mourant de faim dans le monde sur Live to tell, ou des images de guerre et de politiciens sur Sorry...(même si j'aime assez je le reconnait la réinterprétation du texte)

Sinon c'est sombre, comme toujours. Enfin les critiques sont ttes excellentes aux USA pour l'instant et les fans sont largement enthousiastes. Le RIT était plus en demi teinte, malgré qu'il fut un gros succés critique également en Europe.

L'avantage ici c'est que le show a l'air d'évoir un corps et un fond comme le DWT le Girlie show ou le BAT, ce qui manquait cruellement au RIT qui ne marchait au final que par tableau...

euh oui enfin la chorée de like a Virgin niveau risque c'est très limité qd mm lol :
https://www.youtube.com/watch?v=W1bXUvkmqoo&search=madonna%20like%20a%20virgin%20confessions%20tour
Perso je prends plus de risque en dévalant les escaliers 4 à 4 qd jsuis à la bourre le matin qu'en me trémoussant contre une barre sur une selle de cheval lol.
Et les critiques toutes excellents euh..pas si sûr, j'en ai pas là sous la main (pas trop le temps lol) mais j'en ai lu qques une pas vraiment glorieuses (show parfois à la limite du vulgaire...)
Et puis copte tenu du concept du RIT c'est normal qu'il fonctionnait par tableau : c'etait une tournée greatest hits, par conséquent il est difficile d'avoir un show cohérent du début à la fin...

Et puis là sérieux, passer des images de sa radiographie de sa fracture pendant like a virgin, vous trouvez pas ça un peu euh.... comment on dit déjà.. ah oui lol egocentrique...

En même temps c'est Madonna.... on est qques peu habitué à ça venant d'elle...

Citation :

From: Contra Costa Times

Help! Madonna's trapped in a disco time warp
Disco, most assuredly, is not dead. Not anymore.
But too much of a good thing was exactly what killed disco the first time. That's something that Madonna, judging from her show Tuesday night in San Jose, apparently didn't learn.
The problem with disco was never a lack of fun. Nearly 30 years later, it can still be a hoot. All one had to do was watch the dancing crowd loving Madonna at San Jose's HP Pavilion on Tuesday night.
No, the problem with disco was that it got so fun, there was just way, way WAY too much of it.
Which takes us to Madonna's "Confessions" tour, which pulled into HP Pavilion Tuesday night for the first of two shows. A Madonna concert is usually one curveball after another; a big, well-planned production peppered with thoughtful moments. The mix of material is usually enough for old and new fans alike. There's enough tongue-in-cheek humor to soften the indulgences in ego. It's usually an excellent concert by someone who's almost never accused of being boring.
Tuesday got boring, ironically because Madonna was working so hard to not be boring. Tuesday wasn't a concert. It was a loud, throbbing disco party, with Madonna as the centerpiece in the pink-purple Olivia Newton John "Let's Get Physical" leotard. Maybe boring isn't the right word. Maybe irritating is a better description.
Yes, we were warned. Madonna's newest record "Confessions on a Dance Floor" is most assuredly not a pop record. It's a well-crafted dance record by someone who knows well-crafted dance records. But, and I could be wrong, when people shell out hundreds of dollars to see the Queen of American Pop/Dance Music in an arena, shouldn't they get a cross-section of 23 years of memories, instead of one long mix-tape where the beat never changes? Even the rare old song she performed brimmed with a massive beat, at times obscuring the song itself.
Even with a disco theme -- forgetting for a second the first half of the show, when Madonna hit the crowd over the head with every world problem of the last five centuries -- the show was far more disjointed than your typical Madonna effort. It was just strange, watching her tackle everything -- starving children, the KKK, natural disasters, the Middle East -- with a throbbing disco beat. It wasn't done in the smart, pop-art way of which she's more than capable. At one point she even flashed images of Richard Nixon at the crowd. If there was a message there, it was obscured by sensory overload.
For two hours she mostly rolled through the dance-heavy material of the past decade. Emerging from a giant disco ball, the 47-year-old came out in tight equestrian gear, occasionally using a horse whip on male dancers with horse bridles in their mouths. By second song "Get Together," the big bass dance-fuzz was so heavy, it was hard to hear the vocals -- kind of like that mini-truck at the stop light with the stereo that sounds like a passing 747.
There were good moments. During "Like a Virgin," Madonna climbed a mechanical saddle and did ... well, Madonna stuff to it (she may be 47 but find me a 27-year old who looks that good in riding gear). A large narrow contraption of monkey bars lowered from the rafters during "Jump," so Madonna's shirtless boy-toy dancers could swing around. A bit later came the much-hyped scene angering some Christian groups on this tour. Wearing a crown of thorns, Madonna set herself on a large glittering cross to sing "Live to Tell." On one hand it was kind of fun just for the shock value. On the other, the stunt aspect and bad sound nearly obliterated the effect of a song that's so much better when standing quietly alone. Her voice was barely audible. It got way overblown when video images of starving children (this from a pop star selling $90 sweat jackets in the lobby) started rolling. It reeked of being disingenuous, a feeling that continued when she jammed every religious symbol she could think of onto the video screens for "Forbidden Love."
The message came off about as deep as a bumper sticker. Later, when her dancers donned what looked like desert garb, I couldn't help but think of a dance number in Mel Brooks' "History of the World."
But the fans ate it up, dancing for two hours straight. In that regard, the show worked. Things got better on the usually superb "Ray of Light" and well-crafted "Substitute for Love," but even those sounded hurried. "La Isla Bonita" was jumbled and rushed. The big dance number and colorful backdrops couldn't hide that she was strangling the song into a hyper-disco bore. When the beat takes precedence over the dynamics, good songs suffocate -- it was a problem Madonna had with her older material all night.
She did manage to ratchet up the party near show's end, doing "Lucky Star," dropping balloons and cranking up the noise. The effort was obvious, especially for a woman nearing 50 who was running circles around singers half her age (even if there were more piped-in vocals then in recent years). And, yes, she warned us that she really likes disco right now. But, if anything, she was trying to too hard to prove she can still run in place for two hours. More variety and a few pauses to properly recognize the career that got Madonna where she is today would've been more effective.
May 31th, 2006 | Source : Contra Costa Times

Par exemple....


Ou ça :

Citation :

Madonna Launches Tour With Disco Crucifixion
In her first trek in two years, Material Girl plays Jesus, pole dancer, jockey and dominatrix

ONLINE EXCLUSIVE

Though Madonna's latest world tour has been dubbed the Confessions tour in honor of the singer's latest album, Confessions on a Dance Floor, the trek, which began Sunday night before a sold-out audience at L.A.'s hallowed Forum, was much more Cirque du Soleil than a night of intimate revelation.

Descending from the heavens at a quarter to nine in a ton-and-a-half disco ball -- covered in 2 million dollars? worth in crystals -- Madonna began the "Equestrian" portion of the show (the nearly two-hour show was broken down into four sections) with Confessions' "Future Lover." Clad in horseback-riding attire, complete with top hat and riding crop, she moved around the stage's center inlet, which stretched halfway through the floor, before making her way to center to pay homage to another disco queen, with Donna Summer's "I Feel Love." She returned to the new album for "Get Together," performing the song without much assistance from her cadre of backup dancers -- and proving why the disco-tinged track is one of the album's high points.

But since the majority of the frenzied throng paid as much as $350 a ticket for some high-powered spectacle, Madonna would not let the faithful down. And she didn't: The pop diva rode a mechanical saddle/stripper pole during "Like a Virgin" and displayed her gymnastics skills in "Jump." Madonna re-emerged for the "Bedouin" portion of the evening on a mammoth disco crucifix wearing a crown of thorns to perform "Live to Tell." She returned to religious imagery for Confession's "Isaac," which featured a woman dancing in a cage. The singer showed some of that who-gives-a-fuck attitude that first made her a star with "Like It or Not," a rendition spiked by her burlesque-style dancing with a chair. And that was only in the first half of the evening.

Changing costumes again for the "Never Mind the Bollocks" section, Madonna came out rocking an electric guitar for "I Love New York," which featured projections of the city skyline on a large video screen. She held the guitar while exhorting the crowd to dance for a hard-rocking version of the title track of Ray of Light. In keeping with the theme of this portion, the background dancers reemerged, New Wave'd out in black-and-white ties.

Madonna's career has been marked by her chameleon-like ability to reinvent herself, and indeed, in the annals of pop music, her talent in that category may be second only to David Bowie's. Throughout the night, she continually assumed new roles -- even playing the balladeer remarkably well, in renditions of "Drowned World" and "Paradise (Not for Me)," the latter of which was a duet with Yitzhak Sinwani, whom she introduced as her friend.

The singer's most recent role in the pop world has been dance diva, and she assumed that mantle proudly for the evening's final "Disco" theme. Emerging to the beat of the Tramps' "Disco Inferno" in a John Travolta-style white suit (circa Saturday Night Fever, of course), Madonna became the dancing queen for high-energy versions of "Music," "La Isla Bonita" (complete with a cavalcade of dancers and tropical-island images), a techno-fied "Lucky Star" and the closer, "Hung Up." With the climax of that runaway single, gold balloons descended from the rooftops.

Madonna had played many roles in the first night of her Confessions tour -- but confessor was not one of them. Apparently, in all the pomp and circumstance, there was no room for warmth, or even the attitude that made her recent Coachella festival performance so memorable.

Performing at Coachella before a largely foreign audience, she appeared as the Madonna of old: defiant, hungry, ready to fight. A determined Madonna, one who might spar with the crowd, seemed largely absent this weekend at the Forum. She limited her interaction to platitudes like, "Are you ready for a ride, L.A.?," "The show is just beginning!" and "Put on your dancing shoes."

Then again, she didn't have anything to prove to these fans. They got exactly what they wanted on this night: a celebration of all things Madonna, for better or worse.

STEVE BALTIN

Bon courage pr la lecture lol

en tout cas si on se fie juste aux vidéos, c'est très clair : ça a l'air aussi nul musicalement que scéniquement
enfin forcément avec 120db dans les oreilles et des milliers de flashs dans les yeux, on a souvent l'impression que c'est mieux... mais je suis pas convaincu

[EDIT : ah merde j'étais encore connecté sous le pseudo de benji! euh bon c'était le chapelier, là ^^"]

Cyril sort de ce corps de Benji (n'y voyez là aucune allusion salace de ma part )

... **sifflote**

lol

son nouveau clip est disponible ici, Get together :

http://rapidshare.de/files/23044551/Madonna_-_Get_Together.mpg.html

C'est bon, très original et autrement plus pêchu que celui de Hung up. Vraiment autant les deux premiers clips je n'y voyait pas un grand interêt, alors que celui là est carrément chouette.

J'aime bcp cette idée davoir inclus une performance live (le koko en l'occurrence) et de l'avoir re re re re re re re travaillé pr arriver à ça...

Hé Cinagalen j'aime bien l'instru de cette chanson, ça me rappele mon enfance est ce que t'aurais juste l'instru s'il te plait?